Вставить правильные предлоги 4. archeologists and historians are more and more worried the italian city , one the world's most important historical cities.venice, the seventeenth century the doges of venice, is visited more than one million people a year. butvenice's buildings are danger. their foundations are the vibrations from passing ships. many parts the city are often flooded and these floods cause damage too. worried residents and experts all over the world are looking ways to stop the damage and preservevenice. 5. unexpected guests are good you. the phone rings, the friends you haven't seen ages are arriving a few hours, and you realize horror that you haven't changed the sheets the spare bedrooms months, that all the dirty dishes have been the sink since the weekend, and that you've been wearing the same frock three days. 6. last year i a trip which was an absolute disaster. i was going toberlin business when, accident, i got the wrong train. we were the way tobrussels before i realized my mistake. the end i twenty-four hours later than i had expected. 7. last year my family holiday tothailand. we went air; it was a very long journey but we were very well looked after the plane all the stewardesses. we stayed a large the outskirts ofbangkok. we were given a wonderful suite the top floor the hotel. the most enjoyable day i had was when we a trip boat, down the river to the crocodile farm. we had a wonderful holiday.

4. archeologists and historians are more and more worried about (о) the italian city   (пусто) venice, one of the world's most important historical cities.venice, built in (когда) the seventeenth century by (кем) the doges of venice, is visited by (кем) more than one million people (пусто) a year. butvenice's buildings are in (в опасности) danger. their foundations are shaken with (чем) the vibrations from passing ships. many parts of (чего). the city are often flooded and these floods cause

damage too. worried residents and experts (пусто, устойчивое вырадение) all over the world are looking for (look for - искать) ways to stop the damage and preservevenice.

5.  unexpected guests are good for (для) you. the phone rings, the friends you haven't seen for (for ages - много времени, уст. выражение) ages are arriving in (когда) a few hours, and you realize with (с ужасом) horror that you haven't changed the sheets

in (где) the spare bedrooms for (как долго) months, that all the dirty dishes have been in (где) the sink since the weekend, and that you've been wearing the same frock for (как долго) three days.

6. last year i went for. a trip which was an absolute disaster. i was going toberlin for business when, by accident, i got on the wrong train. we were on the way tobrussels before i realized my mistake. in (в конце концов) the end i got to berlin twenty-four hours later than i had expected.

7.  last year my family went on holiday tothailand. we went by air; it was a very long journey but we were very well looked after in the plane by all the stewardesses. we stayed in a large hotel at the outskirts ofbangkok. we were given a wonderful suite at the top floor in the hotel. the most enjoyable day i had was when we went on a trip by boat, down the river to the crocodile farm. we had a wonderful holiday.

не будучи искусством в полной мере плоскостным, живопись не была искусством исключительно линейным, графическим. но наряду с линией, выражающей некоторый объем, в нем встречается и линия, выражающая узор. сосуществование этих двух линий в одном и том же произведении составляют особенность живописи. иногда обе эти линии встречаются не только в одной и той же композиции, но даже в одной и той же фигуре. в обоих случаях, однако, древний художник поистине мастерски владел линией. даже в мельчайших изображениях строгановских икон его никак нельзя в мелочности линии. ломающуюся линию он применял столь же охотно, как и круглящуюся, но длинную, “бесконечную” линию всегда определенно предпочитал прерывистой, дробной. это последнее качество достаточно ясно отделяет стиль иконы от стиля средневековой миниатюры. в связи с этой “бесконечной” линией находится удивительное понимание силуэта. живопись положительно не знает себе соперников по умению вписывать фигуры в определенное пространство, по искусству находить прекрасное отношение силуэта к свободному фону. живопись построена не на сочетании тонов, но на сочетании цветов. богатство тонов при некоторой одноцветности мы наблюдаем, например, в живописи итальянского чинквеченто и в голландской живописи. про старую живопись можно сказать как раз обратное: она однотонна и многоцветна. по чувству одного общего тона это все-таки живопись, a не раскраска и расцветка, равносильная миниатюрам средневековых рукописей. это живопись в понятии, не всегда отвечающем понятиям западноевропейской живописи возрождения, — в понятии новом для нас, впервые встречающих ее возврат из долгого забвения, и в то же время, быть может, — в понятии древнем, как сама эллинская культура.

1when did they arrive on the 5th of april? 2 where they arrived from? 3 where they went? 4 what did they vizit? 5 how many stages were there in church? 6 where did they go on the 7th of april? 7 where did they stopped? 8 what dishes did thay taste? 9 where did they go on the 9th of april? 10 what event was held there? 11 whom did they  employ? 12 what competition was the festival started with? 13 what did the festival include? 14 where did they go after viziting a  chorch? 15 where did they go on the 11th of april? 16 how many weeks were they in the trip? 17 how many countries did they vizit? 18 what places did they vizit?