Complete with will, going to of the present continuous. 1)how long are your parents going to be in sweden? (a year) 2)i can't do this homeworkhelp)

1) how long are your parents going to be in sweden? they are going there for a year. 2) i can't do this homework. will you help me?

How the future will be difficult to predict. science fiction writers describe the future in different ways. but in most cases, they are similar in one thing: in human society there will be robots that will have artificial intelligence, and people will begin to move to other planets. perhaps it will be so. after all, once people thought that the earth is flat, but when they began to surf the ocean and open continents, they realized that the situation is quite different. over time, people will also begin to discover new planets, as once opened new continents. a person can not sit still, he is committed to the future, in front of him a lot of secrets that he will reveal. someone afraid of the future because the unknown is always scary. what a man a few hundred years, no one knows. a lot depends on the person, he creates history and builds the future. perhaps the most important thing is that people take care of the future for the new generation, so that they do not have to suffer from diseases, lack of food. we must take care of the future, about the state in which the planet earth will get to our descendants.

Britten composed as a child and at the age of 12 began several years of study under the composer and teacher frank bridge. he later studied under john ireland and arthur benjamin at the royal college of music in london and, while there, composed the set of choral variations a boy was born (1933; revised, 1958). he then worked as a composer for the radio, theatre, and cinema, coming into close contact with the poet w.h. auden. in 1937 his variations on a theme of frank bridge, for string orchestra, won him international acclaim. from 1939 to 1942 he was in the united states, where his first work for the stage, the operetta paul bunyan (1941; libretto by auden), was performed. a commission by the koussevitzky foundation led to the composition of his opera peter grimes (1945; libretto by m. slater after george crabbe’s poem the borough), which placed britten in the forefront of 20th-century composers of opera. his later operas include the rape of lucretia (1946); the comic albert herring (1947); billy budd (1951; after herman melville); gloriana (1953; written for the coronation of queen elizabeth ii); the turn of the screw (1954; after henry james); a midsummer night’s dream (1960); owen wingrave (television, 1971); and death in venice (1973; after thomas mann). with the church parable curlew river (1964), his conception of musical theatre took a new direction, combining influences from the japanese noh theatre and english medieval religious drama. two other church parables, the burning fiery furnace (1966) and the prodigal son (1968), followed. an earlier church-pageant opera, noye’s fludde (1958), made use of one of the medieval chester mystery plays. the rape of lucretia marked the inception of the english opera group, with britten as artistic director, composer, and conductor