6. the duchess and the pig she walked through the wood and soon she came to another little house. “i wonder who lives here, ” alice thought. someone in a sort of uniform ran out of the wood and knocked at the door. he looked like a fish and had a big letter in his hand. a frog man opened the door. he had another sort of uniform. the fish-man gave* the frog-man the huge letter. "this is for the duchess, ” he said. “it's an invitation from the queen to play croquet.” then the fish-man walked away, and the frog-man sat on the front steps. alice went up to the door and knocked. "why are you knocking? ” asked the frog-man. “i can't let you in, because i’m outside. anyway, no- one can hear you knocking." he was right. there was a terrible noise coming from inside the house. alice heard screams, sneezes, and loud crashes. "well, how can i get in? " asked alice. “why don’t you open the door? ” asked the frog-man. alice opened the door and went into the house. she was in a large kitchen. in the middle of the kitchen was the duchess, with a noisy baby. there was a cook near the fire with a huge pot of soup. the air was full of pepper. alice sneezed. there was a large cat near the fire. it smiled at alice. "why is your cat smiling? ” alice asked the duchess. the duchess sneezed. "it’s a cheshire cat, ” she said. then she shouted "pig! ” "excuse me? ” said alice. “i'm talking to the baby, ” said the duchess. “well, that’s not a nice thing to say! ” said alice. "mind your own business! " shouted the duchess. "cook! cut off her head! ” alice was scared, but the cook didn’t listen to the duchess. "here! take the baby! " said the duchess, and she gave the baby to alice. “i must get ready for croquet with the queen! " the duchess went to get ready for croquet, and alice took the baby outside. "that’s not a good place for a baby to live, " she said. she looked at the baby. it looked like a little pig. it made a noise like a pig, too. "you are a pig! ” said alice to the baby. she put it on the ground and it walked away into the wood. "where am i now? ” thought alice.

6. Герцогиня и свинья
Она шла через лес и вскоре подошла к другому маленькому домику.
“Интересно, кто живет здесь”, - подумала Алиса.
Кто-то в чём-то типа формы выбежал из леса и постучался в дверь. Он выглядел, как рыба, и у него в руке было большое письмо.
Похожий на лягушку мужчина  открыл дверь. У него была другая форма. Рыба дал лягушке огромное письмо.
"Это для герцогини”, - сказал он. “Это приглашение от королевы на игру в крокет”.
Затем рыба мужчина ушел, а лягушка мужчина сел на крыльцо.
Алиса подошла к двери и постучала.
"Почему ты стучишь?” - спросил лягушка.
“Я не могу тебя впустить, потому что я снаружи. В любом случае, никто не может услышать твой стук."
Он был прав. Из дома доносился страшный шум.
 Алиса услышала крики, чихание и шумное падение.
"Ну, как я могу попасть туда?" спросила Алиса.
“Почему бы тебе не открыть дверь?” - спросил лягушка.
Алиса открыла дверь и вошла в дом. Она была в большой кухне. Посреди кухни стояла герцогиня с шумным ребенком.
У огня стоял повар с огромной кастрюлей супа. В воздухе было полно перца. Алиса чихнула.
У огня стоял большой кот. Она улыбался Алисе.
"Почему ваш кот улыбается?” Спросила Алиса у герцогини.
Герцогиня чихнула. "Это Чеширский Кот”, - сказала она.
Потом она крикнула "свинья!”
"Простите?” - сказала Алиса.
“Я разговариваю с ребенком”, - сказала герцогиня.
“Ну, так говорить нехорошо!” - сказала Алиса.
"Не лезь не в своё дело!" - крикнула герцогиня.
"Повар! Отрубить ей голову!”
Алиса испугалась, но повар не слушал герцогиню.
"Вот! Возьми ребенка!", сказала герцогиня, и отдала ребенка Алисе.
“Я должна подготовиться к крокету с королевой!"
Герцогиня пошла собираться на крокет, а Алиса взяла малыша на улицу.
"Здесь ребёнку жить нехорошо", - сказала она.
 Она посмотрела на ребенка. Он выглядел как маленькая свинья. Он издавал звук как свинья.
"Ты свинья!” сказала Алиса ребёнку. Она поставила его на землю и он ушел в лес.
"Где я сейчас?” - подумала Алиса

Daniel Radcliffe is known for being one of the most calm and candid actors in show business — especially when it comes to dealing with the press. But toward the end of his decade-long run as Harry Potter, there was one oft-repeated question that tried his patience: Do you feel like your best years are behind you? “That’s all people wanted to talk about,” the 25-year-old actor tells Yahoo Movies. “I was always very determined that there would be a life after Potter for me.”Post-Potter life for the British actor has included a wide range of roles in films, from the period-horror flick The Woman in Black to the Allen Ginsberg biographical drama Kill Your Darlings. It’s also found Radcliffe drawing strong reviews for his work on stage, including starring roles in the revivals of both Equus (in which he went full monty) and How to Succeed in Business Without Really Trying (in which he proved his mettle as a song-and-dance man).But Radcliffe’s latest film, What If, may be one of his most unconventional choices yet: A rom-com that attempts to please both starry-eyed optimists and eye-rolling cynics. “It’s romantic, without being too sappy, and it’s genuinely funny,” says Radcliffe says of the film, in which he stars as a man struggling to keep from falling in love with his friend, played by (Ruby Sparks’ Zoe Kazan). We talked to Radcliffe about What If and a variety of other subjects, from bacon to Bieber. What makes a good romantic comedy?
I think sometimes people skimp on the comedy — and that’s kind of boring. And in most romantic comedies, problems of the heart are always sort of solvable by grand gestures of romance. In real life, it doesn’t really happen that way… In some ways, [What If] is a very traditional romantic comedy, but it also undercuts the tropes of romantic comedy that people fall into a lot.Do you agree with the argument that Hollywood’s forgotten how to make good romantic comedies?
Yeah, I suppose so. There have been some great films that have come out. When Harry Met Sally is such an iconic movie, and, for a lot of people, it’s like the quintessential romantic comedy. Like with everything in this industry, people struggle with originality. And people get lazy: They think that if you market a film correctly, and if the trailer’s funny enough, then that’s all that counts.If this film does well, it’s a triumph of good writing. We try and tell both [the male and female] sides of their story. I think there’s a tendency in cinema to not want to show that men go through hurt in [relationships]. There’s pressure on men to not be vulnerable, and that’s why I think it’s hard for men to talk to other men about problems in their life. And that makes it hard in life, because, as a man, most of your friends are men. So if you can’t talk to anybody around you about the stuff going on in your mind, that can be very hard. [In this movie], it’s nice to be able to show both sides of the story.Do you think you’re a good communicator?
Sometimes. I’m very good at listening to other people’s stuff, but not very good at sharing my own problems, just because I don’t want people worrying about me.Elvis Presley figures prominently into this movie — or, at least, his favorite sandwich does [Ed. Note: That would be The king’s preferred snack, a peanut butter-banana-and-bacon concoction called Fool’s Gold]. Are you an Elvis fan?
I love his sandwiches [Laughs]. I like the music a lot. But I think it’s one of those things where you have to be there at the time to really appreciate what a star he was. There are other [artists] I’d much rather spend a lot of time listening to, for sure.

Готовясь к интервью, продумайте последовательность задаваемых вопросов: начните с общих вопросов, несложных.Формулируйте вопросы как можно четче и короче.Не задавайте похожие вопросы один за другим.Вопрос должен содержать только одну мысль. Иначе интервьюируемый отвечает только на последнюю часть вопроса или на ту, которую легче запомнить.Не смешивайте в одном вопросе несколько. Недавно в аудиоинтервью я услышала такую автоматную очередь из вопросов: «Какая у тебя машина? Любишь ли светофорные гонки? Какие автомобили тебе больше нравятся? Назови свой топ три». В результате вежливому интервьюируемому пришлось переспрашивать, чтобы припомнить все вопросы.Не задавайте вопросы, на которые человек уже отвечал много раз. Ищите новое, свое, чтобы не звучало так жалко: «Ты уже много раз рассказывал о себе в интервью. Хотелось бы, чтобы ты еще раз рассказал о себе».