1. They have got a lot of cakes, but theyhave few bread, 2 - Will she busy next week?- No, she won't3. Deborah has had this piano since fiveyears, 4. It is often snow in December5. I am going to come early, I promise, 6. Is Mary your sister friend?7. What is this policemen doing now?8. Once upon a time it was an old manwho was a boaster, 9. It is a very nice flat, I am sure weshall be very comfortably10. I think we shall be able leave thisplace on Sunday.Заранее

1. They have got a lot of cakes, but they  have little bread.

2 - Will she be busy next week?  - No, she won't .

3. Deborah has had this piano for five years.

4. It often snows in December .

5. I will come early, I promise.

6. Is Mary your sister's friend?

7. What is this policeman doing now?

8. Once upon a time there was an old man  who was a boaster.

9. It is a very nice flat, I am sure we  shall feel very comfortable .

10. I think we shall be able to leave this  place on Sunday.

Объяснение:

Once when I was little my parents and I went to a concert of the famous singer Stas Pyekha. He sang wonderful songs and told some stories about his life. I watched with amazement and thought: When I grow up I too will sing songs that I like! When I was 13 and we went to Moscow, where we again saw Stas and I asked him for an autograph. Since that day I have not become popular, but this dream remained...

Однажды когда я был ещё маленьким мы с родителями ходили на концерт известного певца Стаса Пьехи. Он пел замечательные песни, рассказывал несколько историй о своей жизни. Я с удивлением смотрел и задумался: Когда я выросту я тоже буду петь песни которые мне по душе! Когда мне исполнилось 13 и мы поехали в Москву там мы снова увидели Стаса и я попросил его автограф. С того дня я не стал популярным, но эта мечта осталась...

An art film is typically a serious, independent film, aimed at a niche market rather than a mass market audience.[1] It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal",[2] "made primarily for aesthetic reasons rather than commercial profit",[3] and contains "unconventional or highly symbolic content".[4] Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films".[5] These qualities can include (among other elements): a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholar David Bordwell describes art cinema as "a film genre, with its own distinct conventions".[6] Art film producers usually present their films at special theaters (repertory cinemas or, in the U.S., art-house cinemas) and at film festivals. The term art film is much more widely used in North America, the United Kingdom, and Australia, compared to the mainland Europe, where the terms auteur films and national cinema (e.g. German national cinema) are used instead. Since they are aimed at small, niche-market audiences, art films rarely acquire the financial backing that would permit large production budgets associated with widely released blockbuster films. Art film directors make up for these constraints by creating a different type of film, one that typically uses lesser-known film actors (or even amateur actors), and modest sets to make films that focus much more on developing ideas, exploring new narrative techniques, and attempting new film-making conventions. Such films contrast sharply with mainstream blockbuster films, which are geared more towards linear storytelling and entertainment. Film critic Roger Ebert called Chungking Express, a critically acclaimed 1994 art film, "largely a cerebral experience" that one enjoys "because of what you know about film".[7] For promotion, art films rely on the publicity generated from film critics' reviews; discussion of the film by arts columnists, commentators, and bloggers; and word-of-mouth promotion by audience members. Since art films have small initial investment costs, they only need to appeal to a small portion of mainstream audiences to become financially viable.