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Билет №10 1 задайте 5 во разных типов к данному тексту. EARLY INDIAN LITERATURE Indian literature begins with the orally transmitted myths, legends, tales, and lyrics (always songs) of American Indian cultures. There was no written literature among the more than 500 different Indian languages and tribal cultures that existed in North America before the first Europeans arrived. Tribes maintained their own religions — worshipping gods, animals, plants, or sacred persons. These tribal variations enter into the oral literature as well. Still, it is possible to make a few generalizations. Indian stories, for example, glow with reverence for nature as a spiritual as well as physical mother. Nature is alive and endowed with spiritual forces; main characters may be animals or plants, often totems associated with a tribe, group, or individual. The Mexican tribes revered, a god of the Toltecs and Aztecs, and some tales of a high god or culture were told elsewhere. However, there are no long, standardized religious cycles about one supreme divinity. The closest equivalents to Old World spiritual narratives are often accounts of shamans' initiations and voyages. These tricksters are treated with varying degrees of respect. In one tale they may act like heroes, while in another they may seem selfish or foolish. Examples of almost every oral genre can be found in American Indian literature: lyrics, chants, myths, fairy tales, humorous anecdotes, proverbs, epics, and legendary histories. Accounts of migrations and ancestors abound, as do vision or healing songs and tricksters' tales. Certain creation stories are particularly popular. The songs or poetry, like the narratives, range from the sacred to the light and humorous. There are lullabies, war chants, love songs, and special songs for children's games, gambling various chores, magic, or dance ceremonials. Generally the songs are repetitive. Short poem songs given in dreams sometimes have the clean imagery and mood associated with Japanese haiku or Eastern- influenced imagistic poetry.

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zdanovich90764
Natalia Previsoulsy and Russian singer and actress of Ukrainian origin. Honored artist of Russia.In 1996 he participated in the campaign "vote or lose" in support of the re-election of Russian President Boris Yeltsin. In 2003 he joined the party "United Russia"
Supported the Euromaidan, were on the Maidan medical supplies, money and food. Her two brothers, living in Kiev, participated in the Euromaidan. October 12, 2016, the security Service of Ukraine has banned the singer Natasha Koroleva entering the country for five years
Алина Ракитин1730
                                                   А dog's life.The film's protagonist — a dog's soul. She is born on Earth several times and remembers each of their lives. The first incarnation of the furry hero — a stray dog whose age was woefully short. The second embodiment Retriever named Bailey. His master was a boy named Ethan.

Bailey was next with Ethan for many years until the boy grew up, first love, know life. But the age of the dog is short, and soon Ethan had to part with his four-legged friend. The next birth was Bailey's surprise: he was incarnated in a police shepherd, and replaced the floor. Then the hero was born in the body of a Corgi home, which the owner loved.
But not all incarnations were joyful, Bailey had a SIP and grief. Each new fate taught him something. He grasped the main essence of a dog's life: the main thing is when you have someone to love when the person needs you. Oh and bacon is a wonderful thing for the dogs is priceless. But what is the purpose of all incarnations? What and where is the soul of the Bailey? Once the cycle of his lives is closed. A hero is born near the house where his former master — Ethan.
He is older, has accumulated a lot of problems and felt tired. Bailey is in the body a completely different dog reunited with Ethan.

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Билет №10 1 задайте 5 во разных типов к данному тексту. EARLY INDIAN LITERATURE Indian literature begins with the orally transmitted myths, legends, tales, and lyrics (always songs) of American Indian cultures. There was no written literature among the more than 500 different Indian languages and tribal cultures that existed in North America before the first Europeans arrived. Tribes maintained their own religions — worshipping gods, animals, plants, or sacred persons. These tribal variations enter into the oral literature as well. Still, it is possible to make a few generalizations. Indian stories, for example, glow with reverence for nature as a spiritual as well as physical mother. Nature is alive and endowed with spiritual forces; main characters may be animals or plants, often totems associated with a tribe, group, or individual. The Mexican tribes revered, a god of the Toltecs and Aztecs, and some tales of a high god or culture were told elsewhere. However, there are no long, standardized religious cycles about one supreme divinity. The closest equivalents to Old World spiritual narratives are often accounts of shamans' initiations and voyages. These tricksters are treated with varying degrees of respect. In one tale they may act like heroes, while in another they may seem selfish or foolish. Examples of almost every oral genre can be found in American Indian literature: lyrics, chants, myths, fairy tales, humorous anecdotes, proverbs, epics, and legendary histories. Accounts of migrations and ancestors abound, as do vision or healing songs and tricksters' tales. Certain creation stories are particularly popular. The songs or poetry, like the narratives, range from the sacred to the light and humorous. There are lullabies, war chants, love songs, and special songs for children's games, gambling various chores, magic, or dance ceremonials. Generally the songs are repetitive. Short poem songs given in dreams sometimes have the clean imagery and mood associated with Japanese haiku or Eastern- influenced imagistic poetry.
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