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1)1 .I'm a good dancer, but you're a better dancer than I am. 2. Fantasy movie was exciting, but the action was exciting 3. Today is a hot day, but yesterday was hotter 4. Math - it's easy, but the story is difficult 5. Charlie Chaplin was funny. He was smaller than Buster Keaton.

2)1. Nancy's dog is the best dog in the world! 2. Why did you buy more expensive shoes in the store? 3. The food in this restaurant is delicious, but my mom's food is the most delicious in the world! 4. I didn't like any of the actors in this movie, but he was the worst. 5. William Shakespeare is the most famous writer in England.

This article argues that human/dog co-habitation and the interspecies routines of walking, eating, sleeping and the emotions they create, can be fruitfully analyzed through the conceptual frame built from ‘intimacy’ and ‘rhythm’. The rhythmic analytical approach to interspecies routines, including breaks in them and the emotions these breaks create, contributes with a spatio-temporal understanding of human/animal intimacy. As intimacy is inherently a spatial phenomenon, it creates places. Intimate social relations also transform and get transformed by places. ‘Home’ is the typical example, where the iconic emplaced attachment of intimacy with the family is manifested. But the place itself does not create intimacy; instead, it is situationally formed through relations between, in this case, interspecies practices and space. By theorizing auto-ethnographical observations of everyday human/dog routines, the article explores intimacy as a particular social form. Building on recent developments in cultural geography in the field of ‘rhythm analysis,’ it is argued that while intimacy is performed in everyday life, it is foremost produced though 'arrhythmia,' in the moments when the routines are broken.

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