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Прочитайте текст и заполните пропуски А -F частями предложений, обозначенными цифрами 1-7. Одна из частей в списке 1 -7 лишняя. Занесите цифры, обозначающие соответствующие части предложений, в таблицу. Konstantin Melnikov Early 20th century art movements made a sharp break from the artistic styles of the previous century One such movement gave us the term avant-garde’, A . During this period in Russian culture, the architect Konstantin Melnikov established himself within the avant-garde movement. Born in Moscow in 1890, he started out as an icon painter. A chance meeting with famous engineer Vladimir M. Chaplin, who asked Melnikov to work for him, gave him his golden opportunity in life. Chaplin was so impressed with Melnikov’s abilities В . After twelve years of study, Melnikov began designing buildings in the neoclassical style before moving on to more contemporary work. He was selected to design the Soviet pavilion at the 1925 Paris Exposition of Modern Decorative and Industrial Art. His pavilion was widely considered one of the most progressive buildings at the exposition. Constructed using the most efficient methods, С . In the late 1920s Melnikov designed a series of garages. A feature of the design allowed for slanted parking, in which a vehicle would pull in diagonally D . The floors of the garage were shaped like a parallelogram and the exterior was given an avant-garde appearance. Melnikov later designed a number of buildings used by workers’ unions. He included the use of overhangs, E . This gave a building a very dramatic appearance that seemingly defied gravity. Melnikov's private residence has become one of his masterpieces. The property consists of two wide cylindrical towers which have been stuck together. The biggest room features 38 hexagonal-shaped windows, F 1. which are structures that extend from higher floors out beyond the lower ones 2. and his style often did not conform to any precise rules of architecture 3. giving the house an unusual exterior appearance while allowing light to flood the interior 4. and then be able to leave the space by simply pulling out 5. which today is used to describe anything experimental and progressive 6. it was built in only four weeks by just ten workers 7. that he funded his education at the Moscow School of Painting, Sculpture and Architecture

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Serkova_Elena251
1.     
The  manager 
told  the  secretary to phone  the 
subsidiary   at  once .
2.     
 The 
customers  asked  the 
Sellers not to
delay  the  goods .
3.     
The  Buyers 
insisted that they had 
made  all  the 
calculations .
4.     
The  economists 
said that our discount 
was too small  for 
such  a  big 
order .

5.     
They  asked 
the  Sellers who  would show 
the  engineers  round 
the  test  shop ?
6.     
The  Sellers 
asked  the  Buyers when 
they required the 
goods ?
7.     
The  manager 
asked  his  team 
why  they hadn't
asked  for  a 
discount?

8.     
Mr  Strong 
asked  the  managers if they had 
arranged  their   visit 
to  the  plant 
the following  Monday ?

9.     
Mr  Blake 
stated that model  was 
easy  in  operation .
10. 
She  said that she had 
 finished  the 
test  , so  she was leaving
the next day.

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Прочитайте текст и заполните пропуски А -F частями предложений, обозначенными цифрами 1-7. Одна из частей в списке 1 -7 лишняя. Занесите цифры, обозначающие соответствующие части предложений, в таблицу. Konstantin Melnikov Early 20th century art movements made a sharp break from the artistic styles of the previous century One such movement gave us the term avant-garde’, A . During this period in Russian culture, the architect Konstantin Melnikov established himself within the avant-garde movement. Born in Moscow in 1890, he started out as an icon painter. A chance meeting with famous engineer Vladimir M. Chaplin, who asked Melnikov to work for him, gave him his golden opportunity in life. Chaplin was so impressed with Melnikov’s abilities В . After twelve years of study, Melnikov began designing buildings in the neoclassical style before moving on to more contemporary work. He was selected to design the Soviet pavilion at the 1925 Paris Exposition of Modern Decorative and Industrial Art. His pavilion was widely considered one of the most progressive buildings at the exposition. Constructed using the most efficient methods, С . In the late 1920s Melnikov designed a series of garages. A feature of the design allowed for slanted parking, in which a vehicle would pull in diagonally D . The floors of the garage were shaped like a parallelogram and the exterior was given an avant-garde appearance. Melnikov later designed a number of buildings used by workers’ unions. He included the use of overhangs, E . This gave a building a very dramatic appearance that seemingly defied gravity. Melnikov's private residence has become one of his masterpieces. The property consists of two wide cylindrical towers which have been stuck together. The biggest room features 38 hexagonal-shaped windows, F 1. which are structures that extend from higher floors out beyond the lower ones 2. and his style often did not conform to any precise rules of architecture 3. giving the house an unusual exterior appearance while allowing light to flood the interior 4. and then be able to leave the space by simply pulling out 5. which today is used to describe anything experimental and progressive 6. it was built in only four weeks by just ten workers 7. that he funded his education at the Moscow School of Painting, Sculpture and Architecture
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