It's the taking1 The students are in 'houses only onSports DayEveryone wears trainers, Students take part in athleticseventsThere are three people in each teamIn the three-legged racePeople often all over in thethree-legged race.Winning a medal is the mostimportant part of Sports Day.​

Picture 1. On the picture we can see a company of young people. There are girls and boys. The weather is not sunny, they are dressed warm. Some wearing jackets with long sleeve. Someone arrived to a meeting on bike. Guys talk and laugh. They are enjoying communication.
Picture 2. On the picture we can see a family of four. It is a sunny day which they decided to spend out of home. We can see mother, father and two children. Mother is dressed up In blue dress, she is holding a baby on her knees. Father is dressed in colorful blue shirt, he is playing with son. Family took some food to have picnic on the green field. They look happy, everyone smile.

Britten composed as a child and at the age of 12 began several years of study under the composer and teacher Frank Bridge. He later studied under John Ireland and Arthur Benjamin at the Royal College of Music in London and, while there, composed the set of choral variations A Boy Was Born (1933; revised, 1958). He then worked as a composer for the radio, theatre, and cinema, coming into close contact with the poet W.H. Auden. In 1937 his Variations on a Theme of Frank Bridge, for string orchestra, won him international acclaim.
From 1939 to 1942 he was in the United States, where his first work for the stage, the operetta Paul Bunyan (1941; libretto by Auden), was performed. A commission by the Koussevitzky Foundation led to the composition of his opera Peter Grimes (1945; libretto by M. Slater after George Crabbe’s poem The Borough), which placed Britten in the forefront of 20th-century composers of opera. His later operas include The Rape of Lucretia (1946); the comic Albert Herring (1947); Billy Budd (1951; after Herman Melville); Gloriana (1953; written for the coronation of Queen Elizabeth II); The Turn of the Screw (1954; after Henry James); A Midsummer Night’s Dream (1960); Owen Wingrave (television, 1971); and Death in Venice (1973; after Thomas Mann).

With the church parable Curlew River (1964), his conception of musical theatre took a new direction, combining influences from the Japanese Noh theatre and English medieval religious drama. Two other church parables, The Burning Fiery Furnace (1966) and The Prodigal Son (1968), followed. An earlier church-pageant opera, Noye’s Fludde (1958), made use of one of the medieval Chester mystery plays. The Rape of Lucretia marked the inception of the English Opera Group, with Britten as artistic director, composer, and conductor