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Построить в тональности до минор: t6, d3/4, t3, d6, d5/6, s6, t4/6, d7, t3.

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malgoblin2663
ответ на листике.
Удачи) :
Построить в тональности до минор: t6, d3/4, t3, d6, d5/6, s6, t4/6, d7, t3.
iservice38

Объяснение:

What happened?

Cold night but your eyes talk slow

Had nothing on my mind but the words you spoke

Thought we hit it off now I just don't know

Why did you have to go?

Why did you have to go?

It felt like we had a good vibe

It felt right, it felt right

It felt like it was a good sign

It felt right, why did you have to go?

I don't know what happened

We were talking and he

He just... was gone

I mean I don't know what happened, it was like

Day and night

Maybe it was something I said

I don't even know

What happened?

What happened?

Couple seconds and I knew I'm sold

Your little fire disappeared like smoke

Why did you have to pull me in so close?

Why did you have to go?

Why did you have to go?

It felt like we had a good time

It felt right, it felt right

It felt like you were my moonlight

It felt right, why did you have to go?

I don't even know his name

When I looked he was gone, I was like

What happened?

I don't understand

There was so much going on and then

He just wasn't there

I mean, I don't even know

What happened?

What happened?

It felt like we had a good vibe

It felt right, it felt right

It felt like it was a good sign

It felt right, why did you have to go?

Couple seconds and I knew I'm sold

Your little fire disappeared like smoke

Why did you have to pull me in so close?

Why did you have to go?

Why did you have to go?

What happened?

Долбоебков_Алексей27

Моцарт вел переписки с очень многими людьми. Смотря какой период рассматривать - можно отметить в качестве лучшего друга того или иного человека. но основное содержание писем Амадея - либо разглагольствования о своих произведениях и их постановках, либо разговоры о женщинах, увеселениях и т.д.). но в школе, конечно, так не ответишь. поэтому - Моцарт рассказывал своему другу о бескрайней любви к Констанце, жене, о волнении за свои произведения, о своем безденежье при высоком гонораре.а о кредо можно узнать из писем 1780-х гг. к отцу. особенно мюнхенский период. не знаю, кому как, но мне его представляется так: "гений, который сумел остаться в детстве".

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Построить в тональности до минор: t6, d3/4, t3, d6, d5/6, s6, t4/6, d7, t3.
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